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Product details
File Size: 273 KB
Print Length: 166 pages
Page Numbers Source ISBN: 8826423865
Simultaneous Device Usage: Unlimited
Publication Date: May 17, 2012
Sold by: Amazon Digital Services LLC
Language: English
ASIN: B00847TFM0
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Amazon Best Sellers Rank:
#7,059 Free in Kindle Store (See Top 100 Free in Kindle Store)
Picking up tis play to read I knew absolutley nothing about it other than having heard it's name. I have to say I am glad I took a chance on the unknown because this play was truly a pleasure to read. Once I got used to the English used in it reading it became almost melodic in my head. There is no doubt Shakespeare knew how to make words dance. This play almost feels like it should be two separate plays since they are so very different in feel. The first half a tragedy and the sequel a romance. I feel like Shakespeare wrote this play as sort of an homage to the Greek classics. if that was his intent, then I have to say he succeeded very well indeed. I loved that even with all the flowery language (multiple times requiring me to look up words) he quickly managed to start the film projector in my head I was seeing the action happening in my head. Truly a classic and I am so thrilled that my first foray into Shakespeare unknown to me was such a resounding success!!
This is one of Shakespeare's most powerful, and state of the art plays, yet it is still inadequately known and performed. His haunting portrayal of a charismatic political outsider, a man riven by a river of self-hatreds and insecurities and just as contemptuous of the mob as he is of the political elite who use him for their own purposes, is just as relevant today as in the 16th century, in the shadow of Essex. The book's introduction, by Jonathan Crewe is first rate in understanding both the play and the character of Coriolanus, and I recommend this play for anyone wishing to get his or her feet wet in learning about Shakespeare's tragedies.
Perhaps (?) not among the best known of Shakespeare's works, this play partakes of his ironic and tragic celebration of Roman ideals, namely, "laus", "gloria", "virtus" in particular. The aristocracy of Coriolanus' Rome "appears" dedicated to high-sounding and noble ends - Roman: honour, bravery, valour, proper governance. The governance is presented as "organic" and therefore just. Pleasure is significantly absent from this universe. Continuation as concept and even mere consequences - are best left out of sight. The character of Volumnia devalues what would be "feminine" ends in the language and imagery "she" uses, a deathly and mechanistic language used to describe her son. Marilyn French has seen similarities between Coriolanus-the-character and another notorious misanthrope, Timon of Athens: the search for honor, fame and the attempt to act according to socially accepted rules moves on to a quest for self-exaltation. Without firm rooting in the community - yet while using this very community - there is only the self, and the self cannot provide its own end. One editor having noted that the adjective "alone" occurs more often in Coriolanus than in any other play by Shakespeare, the isolation the eponymous character finds himself in is typical, as it were, of an opposition found between those heroes embodying the "chivalric" as opposed to the "heroic" or "Herculean" ideal (Antony, Coriolanus, Achilles in Troilus and Cressida.) But Hercules is a demi-god: the characters are not; punishment of hubris - Coriolanus' bravery leads to extreme arrogance, as he sets himself above all men - means banishment, isolation, and death.
Coriolanus is not --never has been -- one of my favorites of Shakespeare's works. But the volume under review is in the Arden 3rd series and I've slowly been working my way through the 3rd series volumes as they appear. I'm more than pleased to have read this new treatment of Coriolanus: the editor has done an outstanding job of providing historical context for the play, carefully comparing it to the treatment of the story given in Shakespeare's sources. The editorial machinery carefully adheres to the Arden series standards, explaining how other editions have dealt with textual problems, and providing cogent arguments for the choices made in this edition. I've even come to like the play better. Highly recommended.
The Winter's Tale (New Cambridge Shakespeare)Another crappy formatting job by Cambridge University Press.In order to read the play without insane and seemingly random line breaks, you have to set the font at its smallest size. When it's extremely hard to read. I checked it against Macbeth, in the same series. Macbeth is fine.So for an extra five bucks, you get a practically unreadable text. Nice job Cambridge. Nice job Amazon.
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