Free PDF Medieval Drama: An Anthology
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Medieval Drama: An Anthology
Free PDF Medieval Drama: An Anthology
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Review
"Walker offers a thoroughly researched and well-chosen selection of key primary texts and some unusual plays. He also provides short but comprehensive introductions that will be easily accessible to beginning students." Choice "A marvellous collection of dramatic texts from the late fourteenth century to the beginnings of the Renaissance in the British Isles. In this remarkably comprehensive collection we have the entire texts of the key plays of the period, including some less usual works. A few period illustrations, maps and a street plan help set the scene. The whole exemplary apparatus is worn lightly, all helping to encourage reading and acting. Glossaries of terms and notes sit unobtrusively at the foot of the page, immediately available to help the reader. He [Walker] specifically arranges his anthology to allow, and encourage, the plays to speak for themselves: wide-ranging selection, concise informative introduction to each work, notes and glossaries. In a single volume a whole range of rich literature is made accessible to the modern reader in what must be just about the star volume in an anyway excellent series. This book will be essential in any undergraduate or senior school collection of English literature, or of drama, and will enhance may other collections besides". Reference Reviews
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Book Description
A major new anthology of British drama which contains plays from the late 14th century to the onset of the Renaissance.
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Product details
Paperback: 648 pages
Publisher: Wiley-Blackwell; 1 edition (October 3, 2000)
Language: English
ISBN-10: 0631217274
ISBN-13: 978-0631217275
Product Dimensions:
6.8 x 1.5 x 9.7 inches
Shipping Weight: 2.8 pounds (View shipping rates and policies)
Average Customer Review:
2.8 out of 5 stars
4 customer reviews
Amazon Best Sellers Rank:
#2,056,940 in Books (See Top 100 in Books)
I wish I had gone with a different edition for these plays - it's a lot of money to spend on a book that is incredibly frustrating to use. I am using the book for my PhD exams in medieval literature and yet I find the glosses sparse and, as the other reviewer said, poorly keyed to the text. Each time you want to check a gloss, you have to do a decent bit of hunting to find the corresponding note and by that time, you've lost your place in the text. The format is very distracting and inhibits enjoyable reading. Further, the glosses could sometimes be more literal so as to emphasize the linguistic continuities between the earlier and the extant English vocabulary; the connections are rarely obvious in the translation choices, and that seems quite a wasted opportunity for undergrad students in particular who want to become more familiar with the original English of the plays.These complaints voiced, I will say that there is a lovely introductory section at the beginning of each individual play to acquaint the reader with the history and/or context of the work. The attention spent on each of the introductions is nicely done and alerts the reader to key details, interpretive trends or other useful information regarding the following work. These intros would provide a helpful starting point for the newcomer to medieval drama.
I LOVE having this collection at my disposal in one solid brick of a book. I already have a copy of the Chester cycle so it's ok with me that about only 3 of the biblical plays included are from Chester (not including the Post-Reformation Banns). The majority of them are from the York Cycle, actually all of them except for 3 from Chester, the N-Town Mary Play, and the Townley Second Shepherd's play. Then you've got a few Morality plays and slightly more interludes.The introductions are to the point and very helpful. As are the footnotes. But the format of the glosses! I wish the glosses were on the right hand side of the page and corresponded with each line of text. Instead, they are all cramped together at the bottom of the page, maybe to save paper, and it's a real pain for a few reasons: 1) You don't know if there are any glosses for a particular line unless you check, and when you check there might be nothing there 2) The text provides a line number every 5 lines and for me it gets irritating having to figure out what line I'm at so I can look up the gloss. Might not sound like a big deal, but because of the spacing, the fact that stage directions don't count as lines, and that a line can run down to the next sentence, it can be much more difficult than it needs to be 3) The reading experience becomes very choppy and frustrating. Also, sometimes there is a gloss provided for a very obvious word and nothing there for a less obvious word.All in all, I'm happy to have this book and I would recommend it.
I am using this anthology in an undergraduate classroom, and I have many complaints. It is expensive, unwieldy (without much space for marginal comments) and the editorial glosses are submerged at the bottom of the page, so poorly keyed to the words and phrases they reference that my students seldom can figure them out. The criteria of selection are mysterious: no Digby play, very few Old Testament episodes from the cycle dramas, and a clear bias for the York cycle make Bevington's 1975 edition a more more reliable resource. Plus, no ecclesiastical drama (thus, little sense of the theatre of the mass).There is a nice selection of Interludes, but again, the glosses are hard to use and the type is so small that the whole thing is quite off-putting. I blame Blackwell: there should have been a lot more thought given to ease of use.
Although the short introductory essays are well-written and lively, the texts are poorly glossed and are filled with mistakes. My students were very frustrated with this anthology.
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